Music by Women Festival 2022 - Schedule

Schedule - March 3-5, 2022
Jump to:
Thursday, March 3, 2022
10:00 AM
11:30 AM -12:00 PM
Room 211
Paper: The Female Hit Parade: Acknowledging the Women Jazz Song Composers of the 1930s and 40s
Elizabeth Momand (University of Arkansas - Fort Smith)
Room 408
Lecture Recital: Penny Rodriguez's Nine Poetic Love Songs: Pedagogy, Inclusivity, and Diversity of Texts
Chuck Chandler, tenor (DePaul University)
Jonathan Levin, piano
12:00 PM (Noon)
Break
2:30 PM
4:00-4:25 PM
Room 211
Paper: The Chamber Wind Ensemble Music of Ruth Gipps (1921-1999): Composer, Conductor, and Performer
Brittan Braddock (University of West Florida)
Room 307
Lecture Recital:Ellen Taaffe Zwilich's Einsame Nacht: Sonic Depictions of Existential Loneliness
Matthew Hoch, baritone (Auburn University)
Jonathan Levin, piano
4:00-4:25 PM
Room 408
Lecture Recital: Open Spaces: The Unique Compositional Language of Priaulx Rainier’s Pastoral Triptych
David Munro, oboe (Bowling Green State University)
4:30-4:55 PM
Room 211
Paper: Ruth Crawford: Prestige and Discrimination
Jillian Vogel (Louisiana State University)
Room 307
Lecture Recital: Cabaret Songs of Madeleine Dring
Sofia Scattarreggia, soprano
Rebecca Golub, piano
Wanda Brister, lecturer (Florida State University)
Room 408
Lecture Recital: Opera the Journalist
Larisa Kholodnaya, soprano
Jonathan Levin, piano
5:00 PM
Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.
8:00 PM
Friday, March 4, 2022
9:30 AM
Room 307
Lecture Recital: Slip Sliding Away, decoding the mystery of trombone legato using the vocalises of Mathilde Marchesi
Alexandra Zacharella, trombone (University of Arkansas-Fort Smith)
Elizabeth Momand, piano (University of Arkansas-Fort Smith)
Room 408
Lecture Recital: Reconstructing Philippa Schuyler’s “Seven Pillars of Wisdom
Sarah Masterson, piano (Newberry College)
10:00 AM
11:30 AM
Room 211
Paper: Women Composers as Poets: Reordering and Omission in 19th-Century Lieder Texts
Tyler Osborne
Room 307
Lecture Recital: Twelve Tone Lizzie: An Analysis of Elisabeth Lutyens’ Serial Techniques in “5 Bagatelles for Piano” (1965)
Sandra Coursey, piano (Bowling Green State University)
Room 408
Lecture Recital: 21st Century Crossover/Musical Theatre Songs & Composers for the Classically Trained Singer
Dorea Cook, mezzo soprano (Valencia College)
Jonathan Levin, piano
12:00 PM (Noon)
Break
2:30 PM
4:00 PM
Room 211
Paper: Composer Diversity in Solo Vocal Repertoire Assignments
Victoria Corona (Texas A&M University-Kingsville)
Room 307
Lecture Recital: Tres for Trois: Flute Trios by Three Mexican Female Composers
Ammi López (University of Alabama)
Room 408
Lecture Recital: Margaret Bonds Sets Edna St. Vincent Millay: Two Brilliant Artistic Minds
Dana Zenobi, soprano (Butler University)
Jonathan Levin, piano
4:30 PM
Room 211
Lecture Recital: Mary Chandler and her works for oboe
Kristin Leitterman, oboe (Arkansas State University)
Room 307
Lecture Recital: Nueve Canciones by Gisela Hernández Gonzalo: A Picturesque Synthesis of Words and Music
Elizabeth Momand, piano (University of Arkansas - Fort Smith)
Katherine White, mezzo soprano
Room 408
Lecture Recital: Six Japanese Songs by Margaret Garwood
Cheryl Coker, soprano (Millsaps College)
Ken Graves, clarinet
Jonathan Levin, piano
5:00 PM
Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.
8:00 PM
Saturday, March 5, 2022
9:30–10:00 AM
Room 211
Paper: The Incomparable Helen May Butler and her Ladies Military Brass Band
Alexandra Zacharella (University of Arkansas-Fort Smith)
Room 408
Lecture Recital: “Too Great to Get Published?” Kaprálová's Sonata appassionata, op.6
Anna Betka, piano
10:00 AM
11:30 AM
Room 211
Paper: The Published and Unpublished Choral Compositions of Margaret Vardell Sandresky: An Examination of Style and Conductor’s Guide
Creighton Holder
Room 408
Lecture Recital: Juliana Hall’s Cameos and the Female Visual Artist as Muse – From Inspiration to Creation and Beyond
Molly Fillmore, soprano (University of North Texas)
Elvia Puccinelli, piano (University of North Texas)
12:00 PM (Noon)
Break
2:30 PM
4:00-4:25 PM
Room 211
Paper: Bikini Kill’s “Liar”: Trauma, Screams, and Embodied Confusion
Emily Milius (University of Oregon)
Room 408
Lecture Recital: Fanny Mendelssohn Hensel and Josephine Lang - Comparisons and Contrasts of Their Lives and Music in the 1800's
Cheryl Coker, soprano (Millsaps College)
Samantha Sherman, soprano
Jonathan Levin, piano
4:30 PM
Room 211
Paper: Ma(she)ne?: Posthumanizing Female Vocal Aesthetics in 2000s Electronica
Tyler Osborne
Room 408
Lecture Recital: "Let’s be mono-dramatic!” – Mary Magdalene at the Tomb
Marika Kyriakos, soprano (Arkansas State University)
Jerry Casey, composer/lecturer